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Stuntman Series Returns Featuring Knight Rider, Back To The Future, And More

Stuntman Series Returns Featuring Knight Rider, Back To The Future, And More https://ift.tt/fPnWUMs The PlayStation State of Play broadcast today included the announcement of a game no one saw coming. Stuntman: Hollywood, the first new entry in the racing game series since 2007's Stuntman Ignition, is on the way for PlayStation 5. It looks like it retains the franchise's penchant for over-the-top action, and this time, it'll feature licensed content from popular Hollywood franchises like Back to the Future, Fast & Furious, Miami Vice, Death Race, and Knight Rider. "Stuntman: Hollywood is built on the speed and control of an arcade racer, the spectacular chaos of crashes and destruction, and the precision a difficult stunt demands. And then comes that short, exact call: 'Cut!,'" reads a line from the game's description. Burnout and Split/Second were cited as inspirations for Stuntman: Hollywood. The game plays out through a narr...

The Diofield Chronicle Review



The Diofield Chronicle Review - Forever War https://ift.tt/Dfq0MAc

Essentially a protracted series of tactical battles, Diofield Chronicle's design falls into an early routine from which it is reluctant to deviate, while its fantasy world apes the war-room politicking of Game of Thrones with a focus on moving the chess pieces at the expense of credible character development. Flashes of progress are seen in its combat, and the occasional voice dares to question a realm ruled by divine authority, but both efforts are ultimately futile, crushed by an exhausting and relentless war machine.

As the name suggests, Diofield itself is a holy land--God's country--where the hereditary monarchy is assured by each new ruler sporting the Mark of the Blessed, a birthmark of sorts that appears to resemble a vein of precious gems. Yet a frail king and the murder of his heir has caused a succession crisis, with factions forming around several candidates while neighboring empires eye an opportunity to expand their borders. Armies march across a map straight out of the Game of Thrones opening credits while those in command conduct sober debate about their next power play. These are serious people making serious decisions, it seems to imply. Everyone involved speaks as if through clenched-jaw, and with curiously little emotion, a vocal performance that is perhaps meant to indicate the gravity of the situation but instead tends to suggest everyone is a bit bored.

Your perspective on events is through the eyes of Andrias Rhondarson, who is the boyhood friend and servant of the murdered heir, now grown-up and leading a band of mercenaries in the employ of the crown. Andrias makes for a dull lead, as he's disinclined to divulge his inner thoughts, while the ponderous, often humorless conversations he has with the rest of the cast do little to warm you to his plight, or anyone elses for that matter. In fairly typical JPRG style, few of the core cast look a day older than 18 yet carry themselves, whether debating strategy around the table or reflecting on the last mission, with the world-weariness of a pragmatic veteran general. It's laborious stuff and serves mostly to highlight the need for a quicker method of skipping through each scene.

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