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Clive Barker’s Hellraiser: Revival Is The Best Entry In The Franchise Since The Original Film

Clive Barker’s Hellraiser: Revival Is The Best Entry In The Franchise Since The Original Film https://ift.tt/hrLbcfK Let's get the obvious out of the way: Clive Barker's Hellraiser: Revival is a grotesque game. It puts sex and extreme depictions of human mutilation front-and-center in its first-person perspective, and asks you to face it–even stick your hand in it. It's uncompromising in bringing Clive Barker's vision to a level of fidelity that not even the movies could dream of matching. It looks incredible. While salacious in its nature, it can be easy–even forgiving–to fixate on Hellraiser: Revival for its lurid subject matter and blaze past its more considered themes of desire, abuse, and the darkest realms that linger in the human mind. But beyond the sensation of Revival's violence is a game that dares to be ambitious in both its gameplay and narrative. Clive Barker's Hellraiser: Revival can feel like it's wearing the skin of ot...

« Ce n'est absolument pas un échec » : Guillaume Canet défend son film Astérix & Obélix L'Empire du Milieu envers et contre tout

« Ce n'est absolument pas un échec » : Guillaume Canet défend son film Astérix & Obélix L'Empire du Milieu envers et contre tout https://ift.tt/MH73LkF Comme pour mettre un terme à l’éternel débat qui, à la fois, gravite autour du film Astérix et Obélix : L’Empire du Milieu et ronge le cinéma français, Guillaume Canet, réalisateur de ce nouveau volet des aventures des Gaulois de Goscinny et Uderzo, a accordé une interview au Journal du Dimanche. Sans...

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