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For The First Time, Doom And Its Composer Will Melt Faces In Real Life

For The First Time, Doom And Its Composer Will Melt Faces In Real Life https://ift.tt/JYkwnil Fans of one of gaming's most iconic soundtracks will soon get to experience it in a whole new way, as composer Mick Gordon is set to play the Doom soundtrack live on stage for the first time as the headliner at Radar Festival in the UK next summer. Although Gordon played a medley at The Game Awards in 2016, this will be his first full-length set with a live band, orchestra, and full production. Gordon is known for defining Doom's identity with crushing riffs, industrial synths, and earth-shaking electronic production. His work on 2016's Doom and 2020's Doom Eternal established a new benchmark for video game soundtracks, with titles like Rip & Tear , BFG Division , and The Only Thing They Fear Is You becoming firm fan favorites. They've earned millions of streams and remain staples of game music playlists years after release. https://youtu.be/QHRuTYtSbJQ?list=R...

Steven Spielberg Loved One Episode Of The Last Of Us In Particular

Steven Spielberg Loved One Episode Of The Last Of Us In Particular https://ift.tt/7Q2TNGy

If you're making movies or TV shows, there's a good chance yours favorite directors--creators that you look up to and whose work you watch. It's a big deal when someone like that notices your work. That's how the team behind The Last of Us felt when they got a letter from Steven Spielberg himself complimenting their work on the show, particularly on the famously emotional third episode, "Long, Long Time," according to the episode's director, Peter Hoar, in a roundtable with The Hollywood Reporter.

"I didn’t get it directly, but [an actual Spielberg letter] came to Craig Mazin, the writer of my episode on The Last of Us — the writer of all the episodes," Hoar said. "He shared it with myself, [co-stars] Nick Offerman, Murray Bartlett and [cinematographer] Eben Bolter. Basically, a whole group of middle-aged men started squealing because their idol had realized who they were. I think he probably knew who everyone else was, but he didn’t know who I was. And now he’s probably forgotten."

Despite the tone of that last line, it doesn't seem like people will be forgetting that episode anytime soon. Succession director Mark Mylod and Dahmer director Peter Barclay both responded to Hoar's admission. Mylod called the episode "the most extraordinary tonal switch in a series" he'd seen in his life, while Barclay called it "one of the most moving things I've seen in my life" and "a moment in history for television."

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