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Poppy Playtime Triple Pack On Switch Is At Its Lowest Price In Weeks

Poppy Playtime Triple Pack On Switch Is At Its Lowest Price In Weeks https://ift.tt/92rElYk Poppy Playtime Triple Pack (Nintendo Switch) $30 (was $40) See at Amazon October might be the month of Halloween, but let's be honest, November is much scarier. Thanks to Amazon's early Black Friday video game deals, you can indulge in the eerie long winter nights with a discount on the Poppy Playtime Triple Pack for Nintendo Switch, which is on sale for $30 (was $40). That's the lowest price we've seen for the episodic horror game collection in the last 30 days. While the collection is also available on PS5 and Xbox Series X, the discount only applies to the Switch version. Poppy Playtime Triple Pack (Nintendo Switch) $30 (was $40) The Poppy Playtime Triple Pack includes the first three Poppy Playtime episodes on the cartridge, plus a couple of extra physical bonuses. Here's everything you'll get in this collection: Poppy Playtime Chapter 1: A T...

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later https://ift.tt/GvgXNM4

The Borderlands franchise holds a peculiar place within the history of the gaming industry, kickstarting a genre that has gone on to become a different kind of beast. After all, though the concept of combining both RPG and first-person shooter mechanics was first seen in 2007's Hellgate: London, the loot-shooter genre owes its popularity to 2009's Borderlands. And yet, today, many of the most popular loot-shooters are also live-service games (like Destiny 2 and Warframe). Borderlands is not, having never adopted that format. It instead has multiple sequels--some of which diverge from the original game and don't feature any looting or shooting.

Like these other live-service game franchises, however, character-driven storytelling has been one of the main unifying pillars of Borderlands, which has been supported by a writer's room. "Gearbox is casually unique in the sense that we maintain a writer's room," Gearbox Entertainment associate director of narrative properties April Johnson told me. "So we don't just plunk you to work on a project and say, 'Okay, enjoy the two of you doing this--we have multiple things that we are working on, so we won't Voltron up as a full unit until later.'"

Having a constant writer's room is a strategy you usually see in story-driven live-service games where maintaining a narrative vision over multiple years--over a decade in the case of some games like Destiny--is important. It's not often seen in AAA franchises that feature several sequels and recruit a new set of writers from project to project. Gearbox Entertainment is not wholly unique in this strategy within the gaming industry, but it is a rare exception and the team points to this as one of the reasons for how the studio has managed to curate a specific narrative voice across all its projects.

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