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Madden 27 Finally Adds The League’s Most Controversial Play (And 52 More Things)

Madden 27 Finally Adds The League’s Most Controversial Play (And 52 More Things) https://ift.tt/oVFRuhD The NFL would prefer a calendar that is never truly football-free, and one thing keeping the league in the spotlight during the otherwise quiet month of June is the annual reveal of the next Madden. This year, Madden NFL 27 is following one of the series' best efforts in a long, long time, though last year's game also took some hits as time went on and updates didn't address issues--or even made things worse in some cases.  Madden 27 is clearly made with this community feedback in mind, featuring several changes that address specific complaints and popular requests. We've rounded up 53 things the Madden team has announced as new to this summer's game, including a major focus on improving defense, a new timing-based catch mechanic, and even the Tush Push. In This Article ...

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later https://ift.tt/GvgXNM4

The Borderlands franchise holds a peculiar place within the history of the gaming industry, kickstarting a genre that has gone on to become a different kind of beast. After all, though the concept of combining both RPG and first-person shooter mechanics was first seen in 2007's Hellgate: London, the loot-shooter genre owes its popularity to 2009's Borderlands. And yet, today, many of the most popular loot-shooters are also live-service games (like Destiny 2 and Warframe). Borderlands is not, having never adopted that format. It instead has multiple sequels--some of which diverge from the original game and don't feature any looting or shooting.

Like these other live-service game franchises, however, character-driven storytelling has been one of the main unifying pillars of Borderlands, which has been supported by a writer's room. "Gearbox is casually unique in the sense that we maintain a writer's room," Gearbox Entertainment associate director of narrative properties April Johnson told me. "So we don't just plunk you to work on a project and say, 'Okay, enjoy the two of you doing this--we have multiple things that we are working on, so we won't Voltron up as a full unit until later.'"

Having a constant writer's room is a strategy you usually see in story-driven live-service games where maintaining a narrative vision over multiple years--over a decade in the case of some games like Destiny--is important. It's not often seen in AAA franchises that feature several sequels and recruit a new set of writers from project to project. Gearbox Entertainment is not wholly unique in this strategy within the gaming industry, but it is a rare exception and the team points to this as one of the reasons for how the studio has managed to curate a specific narrative voice across all its projects.

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