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My Favorite Baseball Team Can Make Me Love MLB The Show, Or Absolutely Hate It

My Favorite Baseball Team Can Make Me Love MLB The Show, Or Absolutely Hate It https://ift.tt/kDZYJ7s It's a 5-4 game in the bottom of the ninth inning in Pittsburgh, and it looks like the Pirates might drop one to the struggling Minnesota Twins. But Spencer Horwitz gets on base with a scrappy infield single. With one out, Bryan Reynolds steps up to the plate . On a 2-2 count, he absolutely demolishes a fastball, sending it over the left-field wall as fireworks erupt. Ballgame.  https://www.youtube.com/watch?v=0Hu7sDCUCOc I'm on top of the world, watching clips of the walk-off blast from every angle I can find. Who do the Twins even think they are, trying to sneak that fastball by him?  And now to hit some homers in MLB The Show 26. I'll even play some games at PNC Park, hoping I can replicate that dinger or even do something more impressive, like launching a ball into the Allegheny River.  Another day, the Pirates are facing the Colorado Rockies--one of...

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later https://ift.tt/GvgXNM4

The Borderlands franchise holds a peculiar place within the history of the gaming industry, kickstarting a genre that has gone on to become a different kind of beast. After all, though the concept of combining both RPG and first-person shooter mechanics was first seen in 2007's Hellgate: London, the loot-shooter genre owes its popularity to 2009's Borderlands. And yet, today, many of the most popular loot-shooters are also live-service games (like Destiny 2 and Warframe). Borderlands is not, having never adopted that format. It instead has multiple sequels--some of which diverge from the original game and don't feature any looting or shooting.

Like these other live-service game franchises, however, character-driven storytelling has been one of the main unifying pillars of Borderlands, which has been supported by a writer's room. "Gearbox is casually unique in the sense that we maintain a writer's room," Gearbox Entertainment associate director of narrative properties April Johnson told me. "So we don't just plunk you to work on a project and say, 'Okay, enjoy the two of you doing this--we have multiple things that we are working on, so we won't Voltron up as a full unit until later.'"

Having a constant writer's room is a strategy you usually see in story-driven live-service games where maintaining a narrative vision over multiple years--over a decade in the case of some games like Destiny--is important. It's not often seen in AAA franchises that feature several sequels and recruit a new set of writers from project to project. Gearbox Entertainment is not wholly unique in this strategy within the gaming industry, but it is a rare exception and the team points to this as one of the reasons for how the studio has managed to curate a specific narrative voice across all its projects.

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