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Everything New In The Once Human Isles Of Abyss Scenario

Everything New In The Once Human Isles Of Abyss Scenario https://ift.tt/7saLkyx Once Human is firing on all cylinders with Isles of Abyss, a massive update that presents a separate scenario for the free-to-play shooter. While developer Starry Studio has released multiple updates since Once Human's launch in mid-2024, the latest can be considered an expansion of sorts, with an oceanic archipelago leading to an assortment of features and mechanics being introduced for the first time. Isles of Abyss takes the foundation of the base Once Human experience and expands it with some key differences. Namely, you can now create your own ship and set sail to traverse multiple islands, each with its own enemies, resources, and hazardous weather. And that's without mentioning the community-led aspect and how the entire scenario is divided into two phases. Yes, there's a lot to take into account. If you're wondering what to expect in the upcoming expansion to best prepare f...

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later

How Borderlands Ensures Character-Driven Storytelling Remains A Focus 14 Years Later https://ift.tt/GvgXNM4

The Borderlands franchise holds a peculiar place within the history of the gaming industry, kickstarting a genre that has gone on to become a different kind of beast. After all, though the concept of combining both RPG and first-person shooter mechanics was first seen in 2007's Hellgate: London, the loot-shooter genre owes its popularity to 2009's Borderlands. And yet, today, many of the most popular loot-shooters are also live-service games (like Destiny 2 and Warframe). Borderlands is not, having never adopted that format. It instead has multiple sequels--some of which diverge from the original game and don't feature any looting or shooting.

Like these other live-service game franchises, however, character-driven storytelling has been one of the main unifying pillars of Borderlands, which has been supported by a writer's room. "Gearbox is casually unique in the sense that we maintain a writer's room," Gearbox Entertainment associate director of narrative properties April Johnson told me. "So we don't just plunk you to work on a project and say, 'Okay, enjoy the two of you doing this--we have multiple things that we are working on, so we won't Voltron up as a full unit until later.'"

Having a constant writer's room is a strategy you usually see in story-driven live-service games where maintaining a narrative vision over multiple years--over a decade in the case of some games like Destiny--is important. It's not often seen in AAA franchises that feature several sequels and recruit a new set of writers from project to project. Gearbox Entertainment is not wholly unique in this strategy within the gaming industry, but it is a rare exception and the team points to this as one of the reasons for how the studio has managed to curate a specific narrative voice across all its projects.

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