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Here Are All Of The Dumb Ways You Can Die In Resident Evil Requiem

Here Are All Of The Dumb Ways You Can Die In Resident Evil Requiem https://ift.tt/xm4YQz9 Are you curious about various character deaths in Resident Evil Requiem ? Leon and Grace will be fighting a lot of infected, and it's not guaranteed that they'll make it out in one piece. Several enemies even have brutal kill animations that lead to instant game overs. We'll outline all of the possible ways to die in the game, as well as some pretty ridiculous ones. Note: This article discusses Leon's and Grace's potential deaths in the campaign--i.e. from different types of infected and bosses, as well as environmental hazards. Make no mistake: You're going to see a lot of major spoilers here, and images that contain violence and gore. For everything else about the game, you can refer to our Resident Evil Requiem guides hub . Deaths from regular infected: Neck bites Most character deaths in Resident Evil Requiem tend to occur once Leon's or Grace's HP is lo...
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Remedy's Greatest Hits: The Music That Made The Games

Remedy's Greatest Hits: The Music That Made The Games https://ift.tt/cn15duv

More than just the way they approach narrative, level design, and gunplay, there is one constant throughout every single one of Remedy's titles: they will always have the perfect song for the perfect occasion. While Alan Wake 2 is certainly their magnum opus in that regard among several contenders, it's about time we took a look back at the best needle drops in the studio's long history.

Max Payne Theme - Kärtsy Hatakka/Kimmo Kajasto (Max Payne)

The original Max Payne's legacy is very much tied to the time of its release. It was the first video game to fully implement the slo-mo gunplay John Woo and the Wachowski Sisters had been trying to make into a Thing. But all that felt rather passe the more other games came and diluted the formula. The bullet-time may have been what got players in the door. But it was the neo-noir graphic novel vibes that have endured over the years. The constant leitmotif of those vibes is that theme, a grim piano undercurrent that gave even more depth and gravitas to James McCaffrey's jagged, self-deprecating, hard-boiled detective narration, and would be the constant reminder of Max's escalating failures as time went on, with the fully string-based rendition of the theme representing absolute rock bottom for our hero in the Rockstar-developed third game.

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