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Sony’s No More Discs Debacle Was Inevitable, But The Worst Is Yet To Come

Sony’s No More Discs Debacle Was Inevitable, But The Worst Is Yet To Come https://ift.tt/fTs6SzZ Well, it finally happened. Sony has announced that PlayStation disc production will come to an end by 2028, which subsequently creates the implication that the future PS6 console will be digital-only .  Naturally, a lot of folks are upset by this, and I'm certainly among them. But I can't really say I'm surprised. I'm a PlayStation girl through and through, but years after buying the console at launch, I still only own a few physical PlayStation 5 discs. The vast majority of my PS5 collection is digital, largely because I'm too impatient to wait for a copy to arrive in the mail, or trek out to GameStop to buy one. And I'm clearly not the only one in this boat--Sony stated that the transition to digital-only games is a result of changing market trends. Essentially, Sony sells way more digital copies than physical ones, and third-party publishers also benefit mor...

The Silent Hill 2 Remake Is Significantly Better Than The Trailers You’ve Seen

The Silent Hill 2 Remake Is Significantly Better Than The Trailers You’ve Seen https://ift.tt/wBavmTf

There is no genre quite like horror. At its best, it's so much more than guts and gore, or tired tropes and torture scenes. It's self-reflection. It's catharsis.

It's entering an implicit agreement with a work's creator: If you spill your guts out to me (metaphorically or perhaps literally), then I will wade through my own, hold them up, and take note of what makes ours similar to one another. While there are certainly qualities that make for a "good" work of horror, the transcendent variety is subjective; it relies on your own fears, traumas, and beliefs to create resonance with what's laid before you. The more vulnerable a work is, the greater its opportunity to connect with--or possibly alienate--its audience. This is precisely what makes Silent Hill 2 such a memorable and pivotal entry in the horror game genre--it's sheer vulnerability creates a game wherein even alienation feels like connection.

I say all this to emphasize that the upcoming remake of this 23 year-old game is an incredibly exciting prospect to me. Though the original holds up well, there's no denying that it feels quite dated--and not always in an endearing, "time capsule" kind of way. There's also no denying that the game is incredibly influential; its DNA is woven into countless horror games and horror-adjacent titles, with last year's Alan Wake 2 proving that, even decades later, this continues to be true. This ultimately elevates Silent Hill 2's status from "great game" to a "genre essential," albeit one that is frustrating to play--or even simply access--at the moment. A remake, then, seems entirely warranted.

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