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Valor Mortis Is A First-Person Soulslike That Tries Too Much

Valor Mortis Is A First-Person Soulslike That Tries Too Much https://ift.tt/Xk2BUfe The soulslike genre has been around long enough now that it's easy to pick out its most recognizable traits. Whether it's managing stamina in combat, the risk of losing progression with each death, health items and enemies that respawn when you reach a bonfire, lantern, or some other recognizable checkpoint; all of the best in the genre adapt these in their own distinct ways.  Valor Mortis is no different, but attempts to stand out through its shift in perspective. By moving the action to a first-person view, Valor Mortis affords itself novelty, which works well with snappy and satisfying combat that rewards deft parries and patience in equal measure. But it's also marred by a weak story and sluggishly paced opening hours that betray the more captivating moments in its second half, where Valor Mortis' most interesting narrative beats and combat encounters finally deliver on some of ...
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Hulu's Hellraiser Review -- Our Hearts Are Hellbound At Long Last


Hulu's Hellraiser Review -- Our Hearts Are Hellbound At Long Last https://ift.tt/n8xGeOv

There have been whispers of a Hellraiser "reboot" for over a decade, with the project entering and exciting various stages of development, changing hands between production companies, writers, directors--you name it. It seemed strangely appropriate, if disappointing, that a franchise founded on the idea of being trapped in a nightmarish liminal reality would find itself in production hell for so long. But now, thankfully, the puzzle has been solved at long last and the Hellraiser reboot is finally here with director David Bruckner (The Night House) at the helm and Hulu acting as distributor. And better yet--it turns out that it actually was worth the wait, however hellish the road to this point may have seemed.

It wouldn't be completely accurate to call new Hellraiser a proper reboot--it doesn't attempt to retread any of the ground covered in either the original Clive Barker novella, The Hellbound Heart, or the original movie from 1986. The characters--barring one or two familiar-ish Cenobites--are brand-new, the story is brand-new, and the mythology of the world has been changed to benefit them. It's as much a "reboot" as any of the franchise's other installments (there are 10 of them--11 now, counting this one) that tossed out new characters and ideas without so much as a backwards glance to the story put forth across 1, 2 (and 6, kind of, if you want to get technical).

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