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Crimson Desert's Opening Hours Want You To Rage Quit

Crimson Desert's Opening Hours Want You To Rage Quit https://ift.tt/SyBXegJ Crimson Desert post-intro and onward is absolutely worth playing, but the vague tutorial instructions in the first couple of hours can immediately leave a sour taste in your mouth. First of all, don't worry, we've got you. And better news, it’s not like this for the whole game, it mellows out after a while! So let’s walk you through step by step on how to navigate the opening hours so you can get into the meat of the game. If you ever get soft locked, you can either use the escape feature or one of the three auto save slots. The game auto saves pretty regularly so if you had something catastrophic happen within the past five minutes you can roll back, but anything farther than that it might not be accessible anymore--just be wary and manual save as needed. Start off by simply talking to the Graymanes from the frontside--it's straightforward here, just keep progressing. It’ll then throw you in...
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Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead https://ift.tt/NxSLp6B

Dune: Part Two is now out in cinemas--and scoring big at the box office--thanks in part to actor Stellan Skarsgaard putting in a scene-stealing performance as the villainous Vladimir Harkonnen. Skarsgaard is almost unrecognizable beneath the mountain of prosthetics used to give him an intimidating presence in the film, and it's not the first time the actor has sat for hours in a make-up chair as special effects artists work their craft on him, as back in the late 2000s, he portrayed the barnacle-infested Bootstrap Bill Turner in Pirates of the Caribbean: Dead Man's Chest and At World's End.

In an interview for the Dune sequel, Skarsgaard explained how even then, he preferred wearing prosthetics to help him with his performance as opposed to other actors who wore motion-capture suits and had tracking dots on their faces for post-production special effects work.

"I was the only one on set with real prosthetics on," Skarsgaard said to Business Insider. "Everyone else on that ship showed up five minutes before we started shooting and had dots put on their face, and away they went. I had been there for six hours. But the thing is, I like it. I like to see the artists paint, if that makes sense."

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