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The Hundred Line: Last Defense Academy's Enormous Size Was A Huge Risk - But It Paid Off

The Hundred Line: Last Defense Academy's Enormous Size Was A Huge Risk - But It Paid Off https://ift.tt/Gnt3iIY 55 hours into The Hundred Line: Last Defense Academy , Too Kyo Games' visual novel turn-based strategy game, I encountered a particularly touching scene. Two characters, who a few days earlier learned something particularly shocking--one of several moments in the game that recontextualizes the whole experience--get up early and end up watching the sun rise together. It's a little moment of tranquility, of two people bonding over natural beauty amid a particularly rough string of days, and it landed beautifully. It felt like the game was tapping into something a little deeper, a little more melancholic, than what I'd seen before. According to online estimates of the game's total length, at the point I saw this scene, I had another 90-120 hours to go until I could really say that I'd "finished" the game, depending on my speed and patience. The...
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Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead https://ift.tt/NxSLp6B

Dune: Part Two is now out in cinemas--and scoring big at the box office--thanks in part to actor Stellan Skarsgaard putting in a scene-stealing performance as the villainous Vladimir Harkonnen. Skarsgaard is almost unrecognizable beneath the mountain of prosthetics used to give him an intimidating presence in the film, and it's not the first time the actor has sat for hours in a make-up chair as special effects artists work their craft on him, as back in the late 2000s, he portrayed the barnacle-infested Bootstrap Bill Turner in Pirates of the Caribbean: Dead Man's Chest and At World's End.

In an interview for the Dune sequel, Skarsgaard explained how even then, he preferred wearing prosthetics to help him with his performance as opposed to other actors who wore motion-capture suits and had tracking dots on their faces for post-production special effects work.

"I was the only one on set with real prosthetics on," Skarsgaard said to Business Insider. "Everyone else on that ship showed up five minutes before we started shooting and had dots put on their face, and away they went. I had been there for six hours. But the thing is, I like it. I like to see the artists paint, if that makes sense."

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