Accéder au contenu principal

Sélection

Fire Emblem: Fortune’s Weave Feels Like Four Games’ Worth Of Fire Emblem

Fire Emblem: Fortune’s Weave Feels Like Four Games’ Worth Of Fire Emblem https://ift.tt/93HVi6K Fire Emblem has always been known for its mechanical density and complexity, but Fortune's Weave applies a force multiplier. With an array of four differentiated but intertwining story campaigns, it feels complex in a way that could prove overwhelming. Having played the first several chapters of two of the campaigns, each had its own wrinkles and elements that could have supported their own standalone campaigns--all composing a sprawling narrative that appears to reward exploring it in full to see every scene and interaction.  Fortune's Weave looks to be a conscious effort to restore some of the magic of Three Houses, following the more divisive Fire Emblem Engage. That means a tale that is more grand and sweeping across multiple factions, including a time-jump element that Nintendo revealed during its recent Direct presentation. At its core, though, this is a story that focuses...

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead https://ift.tt/NxSLp6B

Dune: Part Two is now out in cinemas--and scoring big at the box office--thanks in part to actor Stellan Skarsgaard putting in a scene-stealing performance as the villainous Vladimir Harkonnen. Skarsgaard is almost unrecognizable beneath the mountain of prosthetics used to give him an intimidating presence in the film, and it's not the first time the actor has sat for hours in a make-up chair as special effects artists work their craft on him, as back in the late 2000s, he portrayed the barnacle-infested Bootstrap Bill Turner in Pirates of the Caribbean: Dead Man's Chest and At World's End.

In an interview for the Dune sequel, Skarsgaard explained how even then, he preferred wearing prosthetics to help him with his performance as opposed to other actors who wore motion-capture suits and had tracking dots on their faces for post-production special effects work.

"I was the only one on set with real prosthetics on," Skarsgaard said to Business Insider. "Everyone else on that ship showed up five minutes before we started shooting and had dots put on their face, and away they went. I had been there for six hours. But the thing is, I like it. I like to see the artists paint, if that makes sense."

Continue Reading at GameSpot

Commentaires