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Should You Play Resident Evil Requiem On Nintendo Switch 2?

Should You Play Resident Evil Requiem On Nintendo Switch 2? https://ift.tt/2sZLTzg Resident Evil Requiem , in all of its gruesome, goopy, and gory glory, is available on the Nintendo Switch 2, and you’re probably wondering if this version is worth your time. After 15 hours of playing almost exclusively on the Switch 2, I can say that it is--but with a caveat. Let’s start with the good. Resident Evil Requiem on the Switch 2 is an incredibly competent port that looks and runs great on the handheld. Despite the console's technical limitations compared to the beefier PlayStation 5 or Xbox Series X and S, Requiem retains its moody atmosphere and unsettling visuals. This is partly due to Requiem’s limited use of ray tracing and dynamic lighting. Although it’s not nearly as involved as other versions, Capcom has made good use of the Switch 2’s power here. Framerates are uncapped and appear to fluctuate from time to time, usually when moving from one room to another, but in my experience...
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Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead https://ift.tt/NxSLp6B

Dune: Part Two is now out in cinemas--and scoring big at the box office--thanks in part to actor Stellan Skarsgaard putting in a scene-stealing performance as the villainous Vladimir Harkonnen. Skarsgaard is almost unrecognizable beneath the mountain of prosthetics used to give him an intimidating presence in the film, and it's not the first time the actor has sat for hours in a make-up chair as special effects artists work their craft on him, as back in the late 2000s, he portrayed the barnacle-infested Bootstrap Bill Turner in Pirates of the Caribbean: Dead Man's Chest and At World's End.

In an interview for the Dune sequel, Skarsgaard explained how even then, he preferred wearing prosthetics to help him with his performance as opposed to other actors who wore motion-capture suits and had tracking dots on their faces for post-production special effects work.

"I was the only one on set with real prosthetics on," Skarsgaard said to Business Insider. "Everyone else on that ship showed up five minutes before we started shooting and had dots put on their face, and away they went. I had been there for six hours. But the thing is, I like it. I like to see the artists paint, if that makes sense."

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