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God Of War Laufey’s Director Talks Fan Skepticism, New Ideas, And Phranque The Cube

God Of War Laufey’s Director Talks Fan Skepticism, New Ideas, And Phranque The Cube https://ift.tt/31ZjLzq The showstopper at PlayStation's State of Play was a new entry in the God of War franchise. However, instead of introducing Kratos's newest adventure, Santa Monica Studio revealed God of War Laufey, which, as indicated by the title, shifts its focus to Faye, a hero and warrior in her own right, to tell a tale that runs parallel to the events of the 2018 God of War reboot. Somewhat expectedly, there has been everything from excitement to anger at the new direction. But to Santa Monica Studio, Laufey has long represented an exciting way to branch out, and to tell new and different stories that enrich the God of War we know. We spoke to the game's director, Ariel Lawrence, about the announcement of the game, the response, and what the studio hopes to achieve with its latest game.  GameSpot: God of War's identity has changed so many times and Laufey is probab...

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead

Dune 2 Actor Stellan Skarsgaard Refused CG For Pirates Films, Preferred Practical Effects Instead https://ift.tt/NxSLp6B

Dune: Part Two is now out in cinemas--and scoring big at the box office--thanks in part to actor Stellan Skarsgaard putting in a scene-stealing performance as the villainous Vladimir Harkonnen. Skarsgaard is almost unrecognizable beneath the mountain of prosthetics used to give him an intimidating presence in the film, and it's not the first time the actor has sat for hours in a make-up chair as special effects artists work their craft on him, as back in the late 2000s, he portrayed the barnacle-infested Bootstrap Bill Turner in Pirates of the Caribbean: Dead Man's Chest and At World's End.

In an interview for the Dune sequel, Skarsgaard explained how even then, he preferred wearing prosthetics to help him with his performance as opposed to other actors who wore motion-capture suits and had tracking dots on their faces for post-production special effects work.

"I was the only one on set with real prosthetics on," Skarsgaard said to Business Insider. "Everyone else on that ship showed up five minutes before we started shooting and had dots put on their face, and away they went. I had been there for six hours. But the thing is, I like it. I like to see the artists paint, if that makes sense."

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